Dallas Observer: Meaningless
Mikael Wood's review: "...a terrific slice of micro-managed pop, flush with multi-tiered melodies and the kind of sonic detailing the Beatles and George Martin used to get a kick out of."
L.A. Weekly: Pop Purée
Story on Brion's weekly performances at the Los Angeles club Largo.
Mix Magazine: "Crazed Eclectic Co-Conspirator (and Producer)"
Article in which Brion discusses his production techniques and work on the "Magnolia" score. (September 01, 2000)
Last update:May 6, 2015 at 15:21:30 UTC